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Bryan Prillwitz
  • Male
  • Saint Joseph, MI
  • United States
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Bryan Prillwitz commented on Claudia Cohen's photo
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Cassandra-C-Cohen++

"Really exquisite, again. I was taught drawing and painting by a sculptor. Ala Rodin, Picasso, Gauguin"
Jan 12, 2021
Bryan Prillwitz commented on Claudia Cohen's photo
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London-Boyo

"Two colors for an oil painting? Or 3? That's how I was taught. Exquisite! "
Jan 12, 2021
Bryan Prillwitz liked Claudia Cohen's photo
Jan 12, 2021
Bryan Prillwitz liked Carrie Repking's photo
Jan 6, 2021
Resident Curator and Bryan Prillwitz are now friends
Dec 19, 2020
Bryan Prillwitz liked Bryan Prillwitz's photo
Dec 19, 2020
Bryan Prillwitz liked Bryan Prillwitz's profile
Dec 19, 2020
Resident Curator commented on Bryan Prillwitz's photo
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Bryan Prillwitz East London Strippers Coalition Quarentine #16 Portrait Pose

"Curator's Comments:   I have admired your work for several years now, and delight in the craggily line work and interplay between calligraphic contours and raw gesture.  This new piece, modest in scale, becomes a jewel in the handling…"
Dec 19, 2020
Bryan Prillwitz shared A2a Editor's video on Facebook
Dec 19, 2020
Bryan Prillwitz shared A2a Editor's video on Facebook
Dec 19, 2020
Resident Curator liked Bryan Prillwitz's photo
Dec 18, 2020
Bryan Prillwitz liked A2a Editor's video
Dec 18, 2020
Bryan Prillwitz shared Brenda Oelbaum's video on Facebook
Dec 18, 2020
Bryan Prillwitz liked Brenda Oelbaum's video
Dec 18, 2020
Images posted by Bryan Prillwitz
Dec 16, 2020
Bryan Prillwitz liked Bryan Prillwitz's profile
Dec 16, 2020

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Bryan Prillwitz's Blog

Artists Statement

Posted on November 10, 2012 at 9:36am 0 Comments

    My drawings and paintings combine war machines with the human image to portray primitive feelings and sexuality, inner memory, desire and conflict. I want to describe the tortures of denial and the feeling of diminishment that exists for both sexes in this period of perpetual war. The pairing of the elegant with the brooding, and the feminine with the masculine are made real through the physicality of paint and the performance of line.

    I control the raw opacity and…

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