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You have a tremendous amount of work on the site. While I’ve viewed most of the paintings before, some resonate beyond their initial narrative, and present an evocative emotional presence. This figure (Designated simply 12 Copy 2) is most interesting to me in her simultaneous presentation as immaculate innocent, and sexual being. She has a youthful expression- head tilted back and eyes closed in possible surrender; allowing a voyeuristic entry into her space. Her parted legs with deep pink heat/shadow radiating out from under her skirt is titillating, but also restrained. Color in this piece becomes a courier of sexual tension- it animates the space and is intended to excite the viewer. Her otherwise modest attire and formal surroundings- though stylized and abstracted to a certain degree- also creates an interesting contrast between the figure as open versus closed to our gaze. The golden yellow hues in her skin are analogous to the ground, much in the same way some of your stony blue-grey figures read as classic statues against hard rocky landscape. There is considerably versatility in the way you present single portraits versus couples, but all appear to work within and maintain a highly personalized signature style.
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Ms Kristen T. Woodward critiques of members art.
NYC4PA Luminosity: The Impact of Light
Call for Art on ‘Book of Revelation’ Theme
Figure That! 3rd Annual Figurative Exhibit
15th International ARC Salon – $130,000 in Cash Awards
CICA Contemporary Landscape 2020
CDS Dorothea Lange–Paul Taylor Prize
FCA Emergency Grants COVID-19 Fund
35th Annual Bosque Art Classic
Monsters: An International Call for Art About Monsters, Real or Imagined
Exhibit at Middle Tennessee State University
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