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Vinyl paint on board
Portfolios: October 2013 Curator Reviewed Art, The Northern Kingdom
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13 hours is a marvelously flat formal painting, expressing orchestrated or schematic collision through confidently simple shapes and lines. The color system is intriguing, as the red, gold and white read as primary hues, but the broader background is a slightly more understated violet; this warm shift in palette is vaguely dissonant. I like the way the red shape exerts itself onto the white roughly circular shape, creating waves in the matchstick gold sticks. The vinyl surface of the medium prevents organic distraction or individual brushstrokes from personalizing this seismic shift. I also particularly like Northern Kingdom II. These forms hold a bit more mystery, as they’re suggestive of still life objects without recognizable definition. Their closer proximity and interaction leaves a considerable neutral field, and offers a faint floating sensation. Again, I’m attracted to your subtle manipulations of color and chroma, as the elongated gold shape swings to the yellow orange. While it’s a little difficult to tell for sure on my screen, it may be that some of this color finds itself mixed into the broader background. Either way, the brushier surface suggests an organic interface or exchange.
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