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These painterly encaustic works are striking. I intuitively respond to the exploratory mark making and skilled layering of the wax medium. The graphic components such as the directional compass lines or recognizable numerals ground the bright color and expressive gestures. Time line 2 is particularly strong. The duller grey lines read as smoke trails horizontally across the surface, breaking up the path of the higher chroma yellow. The smaller green organic shapes in the top and bottom of the picture plane further suggest geographic anomalies in a map like plan of special orientation. I’m equally attracted to the piece titled Pressured Fate, though it offers a distinctly separate structure and color system. The larger areas of quieter space are balanced by the compositional disparity in the sections of densely occupied space, composing a figural shape on a blue ground. I find these paintings to have a positive intermingling of easy fluidity and worked surfaces.
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Ms Kristen T. Woodward critiques of members art.
Portraiture: Photography Now
Twinkle: Works of Art About Sparkle and Enchantment
Photography Without a Lens
Mini/Micro: Art About Small Subjects
14th Annual Master Pieces
Aging as Art
The Hopper Prize
Photo-Solo Exhibition Proposals
Laguna Beach Open / All Media
Marginal Way Fine Art Competition & Gala
CUE Open Calls for Artists & Curators
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