Brought to you by ArtDeadline.Com

22

1 member likes this

View Full Size

Comment

Comment by Edward A Kingsbury III on August 26, 2011 at 2:01pm: You should check it out. I have not met Emily yet, but I look forward to meeting her.

Comment by Resident Curator on August 26, 2011 at 8:54am: I'll have to go and see your original work. The Outsider Folk Art Gallery has a very nice exhibition program- my friend Emily Branch is managing the space. You might have met her?

Comment by Edward A Kingsbury III on August 24, 2011 at 8:16am: My Pen & Ink works are images 2-12.

Comment by Edward A Kingsbury III on August 24, 2011 at 8:15am: Thank You Kristen. The works are digital alterations of my photos. All of the images were originally photographs that I manipulated into abstract formations. I notice you live in Reading. I have original Pen & Ink drawings at Goggle Works in The Outsider Folk art gallery.

Comment by Resident Curator on August 23, 2011 at 2:54pm: Curator’s Comment:

I’m unclear of your process and media in this piece, which has a decidedly digitized feel. Despite the intensely saturated color and pixilation, it evokes a humanistic response with the reaching hands. A glow seems to emanate from the yellow contour of the figure, charging the pictures red “static”. I really enjoy the color gradation in the background space, which fluctuates with complementary pinpoints of green. The spoke wheel shape is also a primitive counterpoint to the smooth stylization of the overall image, and so I’m wondering if there is a commentary about technology? I become even more intrigued and perplexed when I scroll through the other works you’ve posted, and stop at 7 and 8. The large delineated masses of grey matter are arresting against the black white fields. They act as a resonant sound against the blank white silence. I particularly like that these pieces hold the heavy visual weight of the mass at the top- precariously balancing on their smaller sides at the bottom. These works seem to emit a gravitational pull, and reference element forces- perhaps at odds with a technological approach. From a purely aesthetic rather than conceptual viewpoint, these works are economic and quite elegant.