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This seemingly untitled piece (numerically designated before 2009 1658) conveys a quiet intimacy. I’ll echo Bob’s much earlier comment about the closeness of the figures conveying a touching embrace. The low contrast achromatic diptych looks to be a painting, although media and scale aren’t noted. The central line dividing the two halves of the piece creates an interesting formal and psychological dynamic- a threat of separation to a bonded trio. While the pale grey tonalities could imbue the bodies with a ghostly presence, I instead see the texture as solid and stone-like rather than ethereal. The continuous background modulations read as a type of visual static. It fills every inch of space with the presence of the connected figures.
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Ms Kristen T. Woodward critiques of members art.
Textures, Forms, Patterns or Shapes
Online & Rome Exhibitions, Publications
7th Biennial Salmon Sculpture Competition
Inverness Festival of the Arts 2021
Vogue: Call for Artists
Putney School Summer Arts Seeks Sculpture Teacher
CICA Museum: Perspectives 2022
Gifts of Art Program
Drawn From Life 3
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