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I enjoy the bright high chroma color scheme and cryptic iconography in these works. The displaced human headed bovine is strangely inviting; mask like in the enormous open mouth. The top of the head and eyes are cleverly omitted and then only reinserted with the bull and dog coming into the space on the right. Just as the crooked row of houses on the horizon line mimic the rows of irregular teeth in the mouth; the work expertly recycles shapes and color in its playful motif. I’m unsure of the role of the Egyptian styled hieroglyphics in the top arch. It may be a constructed temple to the profane, or a reference to global communication with the large passing ships in the distance. From a formal standpoint, I appreciate the burst of saturated blue highlight that move through the piece, constructing cast shadows underneath the animals’ legs, and reinvigorating thin outlines between the figures and the landscape.
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Ms Kristen T. Woodward critiques of members art.
Virginia A. Groot Foundation Grant
Oil Painters of America 30th National Juried Exhibition
National Juried Exhibition: Distinct
CICA International Exhibition: The Value
LENS 2021 Juried Photography Exhibition
Imagination Is Your Freedom: Upstream Gallery Juried Photography Show
RI 209th Exhibition 2021
Anthologies | Six Artists – Six Stories
CAGO’s International “ALL Color” Art Competition & Exhibition
$550.00 Innovate Grants
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