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My friend, Karin Rosnizeck and I began discussing the work of August Macke. She likes the elegant women he sometimes paints. When she asked me for a painting, this piece is the result. A few things were really important to the creation of this work. For example, the shadow became a more distinctive part of the composition after I had a chance to see the work of Andrew Fish. I began to use the textured square pattern after I was introduced to Leon Bakst, particularly the stencils he used to paint a small theatre at the Evergreen Museum, in Baltimore.
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Ms Kristen T. Woodward critiques of members art.
Lockdown in Black & White
NYC4PA Luminosity: The Impact of Light
Call for Art on ‘Book of Revelation’ Theme
Figure That! 3rd Annual Figurative Exhibit
15th International ARC Salon – $130,000 in Cash Awards
FCA Emergency Grants COVID-19 Fund
CDS Dorothea Lange–Paul Taylor Prize
CICA Contemporary Landscape 2020
Framed: Landscape and Architecture
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