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Oil on wood 2017
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I enjoy this new painting you posted yesterday- it has an intriguing abstract quality than is suggestive of a figure in the foreground. The layering of space could be seen as multiple horizon lines, bringing the viewer all the way back to the higher chroma pinkish color in the upper left of the picture plane. The darker shape in the middle ground is equally as ambiguous; echoing the size and relative shape of the head of the figure down in front. I’m interested to see the figurative works that were posted just a few days or weeks apart, assuming you vacillate between a painting practice that is equally involved with formal abstraction/non-objectivity and figural narration. I’ve also noted some of your paintings posted earlier this year are noted as not having a title yet, but the later pieces don’t appear to be further worked or reexamined abstractions. This dual mode of expression has produced some strong and evocative results.
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Ms Kristen T. Woodward critiques of members art.
11th Annual Manifest Prize
NYC4PA Street Photography 2020
Water Media National Juried Exhibition
The Delaplaine’ 2020 National Juried Photography Exhibition
$550.00 Innovate Grants
WMoCA 4th Annual National Juried Exhibition
CICA Museum: Over the Structures 2021
Grown: An International Call for Works of Art About Maturity & Adulthood
PH21 CFE: Dis/harmony
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