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My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. Using organic forms found in nature, the work is informed by the fluidity of life. The paintings integrate the personal and memory exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, and reconfigured into abstract ones. The physicality of the paint joined with resultant symbols is a dialogue between self and materials, revealing a personal history, yet remain ambiguous. Although resultant imagery is non-objective, they are based on the constant inquiry into the reality of life experience.