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Break free 24x36 acrylic - I use my own self-tought technique,applied in different ways.
Portfolios: Ryan O. ilinca, June 2012 Curator Reviewed Art
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Your portfolio boasts a dizzying array of color and uncompromised, enveloping texture. In the horse series I prefer the formation of a more distinct figure-ground relationship, such as in Break Free. Without the context of the other more identifiable Forward, I don’t know that I would have ultimately come to recognize the subject, but I enjoy the break and distinction within the inexorable rhythm of the design. The prevalence of bright pink and blue hues help to hold the pieces together, if in contrasting and competing high chroma pattern. And while the horse figure doesn’t actually break from the confinements of its shape or defined picture plane, the entire work provokes continual movement. The nature of your self-taught technique isn’t specified, but the painting surface appears to break in choppy impasto waves and layered pigment. Looking back at the piece entitled Forward, I appreciate the efforts to demonstrate movement, but actually prefer the more abstracted versions of the horse, which seem to dissolve and pixilate raw and unbridled momentum.
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Ms Kristen T. Woodward critiques of members art.
2019 FL3TCH3R Exhibit: Socially & Politically Engaged Art
1 Year Anniversary Group Show
Inversions: Contemporary Art<br>Inspired by the Architecture of Louis Kahn
The Sublime Landscape
Land, Sea or Sky
5th Juried Exhibition: Show Your World
Superfine Art Fair - NYCx3 2020
Power: The International Exhibition
A Show of Heads
Kansas Watercolor Society National Exhibition
Photography 2019 (Light and Lens)
BWAC National Juried Show: Color
Superfine! Art Fair - DC 2019
Superfine! Art Fair L.A. 2020
Painted: Biennial 2019
Aquachrome: Biennial Exhibit of Contemporary Watercolor
No Walls, Just Great Art
Site:Brooklyn - Geometry
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