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Resident Curator's Page

Kristen T Woodward - Artists2artists Resident Curator

Welcome to my page. My name is Kristen T Woodward, and I am the official resident curator for Artists2artists. Please view my short bio below:

A Professor of Art at Albright College in Reading, PA, I have exhibited my mixed media paintings and drawings in over 150 venues since 1990.  I currently teach introductory through advanced levels of undergraduate printmaking & painting, including oil and water media, and encaustic. I also team teach interdisciplinary courses on Latin American graphic art, and women in the arts.

Latest Activity

Resident Curator commented on Mike McSorley's photo
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Paper bag

"Curator’s Comments:   Paper Bag is a laudable piece- making the viewers recognize beauty in the most humble, ubiquitous object.  I enjoy the attention to local color and broken edged shadows, and then the subtle departure from a…"
8 hours ago
Resident Curator commented on Jens Joneleit's photo
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Second Contact 3

"Curator’s Comment:   While I like this work a great deal, it’s difficult for me to single out one particular exceptional painting from your series as they appear to systematically build off of one another.  The singularity of…"
Thursday
Resident Curator liked Mike McSorley's photo
Thursday
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Resident Curator commented on Ivan Antos's photo
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Sunday morning

"Curator’s Comment:   While your three dimensional regal puppets and bust are incredibly well executed, I am most enamored with Sunday Morning.  Perhaps because the two dimensional surface allows you to create more ambiguity of space,…"
Monday
Resident Curator liked Ivan Antos's photo
May 18
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Comment Wall (35 comments)

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At 9:15pm on April 7, 2013, Rose Adare said…

Mahalo Kristen for the wonderful comments on my piece "passio".  This is perhaps the most well written critique I have had and again, Mahalo (Thank You) for your beautiful insight!

I am thrilled and grateful  to be having a solo show at the Maui Arts and Cultural Center May of 2014...just in case you have a desire to go to Maui this will be a very fun show with performers from the paintings!

I thought you might like this latest paintings they are on my webisite, they are under "Restraint and Revoluton"   roseadare.com

Oh and may I quote you?

Mahalo,

Rose Adare

At 8:19am on February 18, 2013, Ryan ilinca said…

At 12:53pm on January 23, 2013, Denise Boineau said…

Thank you for your critique of my oil paintings. You were curious if the work "At the Gate" was on paper. It was not. All of my pieces are oil paintings on canvas.  Thanks again.

Denise

At 2:16am on October 4, 2012, Dawn Dudek said…

I am so pleased you like my painting 'Saving Clementine'. Your review was excellent and I appreciate you taking the time to write such an insightful piece. It is always exciting to know how people feel when they engage with the paintings, it gives the pieces new life and I am able to revisit the work through someone else's eyes. Thank you very much Kristen!

At 7:11pm on September 8, 2012, Mary Powers Holt said…

Kristen,

Thank-you for the very insightful critique of my painting "Woods Destruction for Development". You put into words what I wanted to convey with this painting through composition and the images as icons. I was happy to read your interpretation of this piece and I don't think anyone (including myself) has ever summed it up so well! I appreciate your taking the time to review it.

Mary Powers Holt

At 4:15am on August 23, 2012, sijia chen said…

Thank you for your comments on my photography series, your commentary very eloquently addressed the visual elements that I wanted to present through my work.  The inspiration,  or rather subject matter, of that particular project was to highlight the current state of urbanization taking place in China.  The concept of a static grid represented by the scaffolding obscured by a fast moving object in the bus can be interpreted as double entendre in two ways: the scaffolding represents a temporary structure portraying a state of change and growth, while the bus moving through the streets represents the permanence of the daily lifestyle in urban China, are juxtapositions of their physical manifestations.  In the physical sense, the scaffolding will one day be gone, while the buses will continue to run the same routes every day with metronomic regularity.  But the other interpretation from a purely visual sense is the opposite; because of the constant construction taking place in China, the scaffolding is now a seemingly static and permanent fixture of the urban landscape, while the bus is constantly moving and changing its direction, orientation, and speed as it facilitates our personal individual pursuits of growth and change. These visual elements serve to both highlight and juxtapose the physical qualities of their place in the urban landscape.  In the end, the scaffolding and the bus are both permanent and fleeting, it depends on the viewer's perspective.

At 6:53pm on August 8, 2012, Shunyo Mahom said…

Thank you for the feedback, Kristen.

The art is natural, the marketing an effort.

I'll do what you suggest.

Also, keep me in mind if you see a show which my Zen Pearls brand would fit, okay?

With Love, Shunyo

At 2:43pm on August 8, 2012, Shunyo Mahom said…

Hi Kristen,

My name is Shunyo Mahom, a Zen Artist.

Are you familiar with my Zen Pearls art based on meditation?

http://www.artists2artists.net/profile/Shunyo

My website has 5 Zen Pearls Art galleries: http://www.shunyo.org/

I need help, guidance from someone who can help me market

my Zen Pearls Art online.

Do you know of anyone?

With Love,

Shunyo Mahom

At 6:40pm on August 2, 2012, Andrew Schlageter said…

wouldn't dream of it ;)

At 7:01pm on July 31, 2012, Andrew Schlageter said…

ironically the peace is supposed to symbolize a warm moment.  The canine head is actually that of a baby levian wraith (flying whale, the young have six eyes), curious of the two characters but too shy to fully approach.  The colors are actually meant to resemble autumn, but I could see how the luminescent field and sunrise could make the colors mistaken for a representation of anger.   But thank you for the interpretation, it may get me to add to the piece a bit more and maybe tone it down 

 
 
 

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