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2/25 archival print on Kodak Luster Paper
Portfolios: After Brillo
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Is it possible to look at artwork featuring a Brillo box without thinking of Warhol? Your Pop- contemporary kitsch inspired works masterfully play with known as well as unfamiliar juxtapositions. I had admired your Kusama titled homage some time ago, and am now coming around to My Forgotten Birthday for a longer look. The dot motif of course still plays against Kusama’s signature psychedelic patterns, but smartly puts them up against other Pop emblems for a completely new take on art and commodification. While the portrait pieces in your portfolio seems to be about the appetite for beauty and sex, these still life pieces encode gender and (playful jokes about) seduction in ordinary objects. Ultimately the success of this piece also stems from the easy visual flow between the confetti-like fall of dots and the glossy advertising. I wonder if the choice of a less than pristine Brillo box is a commentary in itself.
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Ms Kristen T. Woodward critiques of members art.
2nd Annual Exhibition: Signs of Rural Life
Site:Brooklyn - Geometry
LACDA 2019 'Top 40' International Juried Competition
Art Teleported Brooklyn NY 2020
Axis Gallery 14th National Juried Exhibition
State of Senior Arts 2019
Americas 2018: All Media
NAWA Small Works Summer 2019
NUDE: Exploring the Uncovered Human Form
The Hopper Prize
12th Annual Portal: Governors Island
PaperWorks 2019 : Theme & Variation
Artist Residency at the Hambidge Center
Manifest: Call for Solo, Group & Concept Proposals
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