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I enjoy the bright high chroma color scheme and cryptic iconography in these works. The displaced human headed bovine is strangely inviting; mask like in the enormous open mouth. The top of the head and eyes are cleverly omitted and then only reinserted with the bull and dog coming into the space on the right. Just as the crooked row of houses on the horizon line mimic the rows of irregular teeth in the mouth; the work expertly recycles shapes and color in its playful motif. I’m unsure of the role of the Egyptian styled hieroglyphics in the top arch. It may be a constructed temple to the profane, or a reference to global communication with the large passing ships in the distance. From a formal standpoint, I appreciate the burst of saturated blue highlight that move through the piece, constructing cast shadows underneath the animals’ legs, and reinvigorating thin outlines between the figures and the landscape.
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Ms Kristen T. Woodward critiques of members art.
8th International Photography Annual
Portrait: Identity & Expression
The Art of Instant Film Photography
31 Women Artists Exhibition
Site:Brooklyn: Ink - New Prints
Gomma Photography Grant
$550.00 Innovate Grants
Yosemite Renaissance 35
Renewal: Upstream Gallery Small Works Show 2020
14th Arte Laguna Prize
Environmental: Call for Works
Beam Camp Seeks Big Ideas for Project
Valdosta National 2020
Vision: Color Photography
CAGO's 1st Annual International "ALL Planet Earth" Online Art Competition
The Hopper Prize
10th Annual Pinnacle National Juried Art Competition
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