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Thanks - always great insight!
These recent sketchbook pages exert an acute and welcome clarity into your creative process. Having long admired your stylistic figurative paintings, the achromatic ink drawings reveal more economic compositional choices. The third page in this new grouping particularly holds my attention because of the surprising solidity of form in what looks to be built up thin washes of pigment. The steps of the large organic structure/landscape run counter to the darker stacked lines in the far-right corner. It’s as if bricks are up against a terraced mountain. The small bird figures climbing the steps accentuate the shifting elevations, and provide contrast of scale. It will be interesting to see if these motifs re-appear in any of your other full-color paintings. The viewer would gain even more insight into what gets edited out in the painting process, and what facets remain.
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Ms Kristen T. Woodward critiques of members art.
Textures, Forms, Patterns or Shapes
Online & Rome Exhibitions, Publications
7th Biennial Salmon Sculpture Competition
Vogue: Call for Artists
Inverness Festival of the Arts 2021
Putney School Summer Arts Seeks Sculpture Teacher
Gifts of Art Program
CICA Museum: Perspectives 2022
Drawn From Life 3
Manifest Exhibition Proposals Season 18
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