number 11
"Curator’s Comments:
This beautiful image from 2012 resurfaced on the site today, and I’m pleased to take in the unexpected angles. The photograph is surprisingly divided into roughly equal halves, but the slant of the wall…"
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This series of photographs focuses on what I like to refer to as the "interstitial spaces" found in the urban and suburban terrain. These loosely defined "places" are a crossroads of geography, architecture and meteorology that in and of themselves divulge no clearly defined subject matter. Taken as a whole though, the constituent elements of these landscapes convey a certainty of composition and coherence that I cannot dispute. There is a sense of resolution that I can only describe as the perfect counter-measure to the ambiguity of subjective experience.
The pieces in this group were all taken in the pedestrian, entirely unremarkable areas along the coast of the central and southern San Francisco Bay; an area devoid of landmarks within which the mundane can integrate and become sublime. I call this group "All Things Being Equal" as there is no single focus, no primary subject matter. Rather, the focus of these images is on the coalescence of objects that are not normally seen or considered in isolation. Properly composed, these "negligible" elements participate equally in establishing a sense of order that allows the perpetually roving eye of the viewer to momentarily rest.
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The Painted People
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Mathilda's Solo
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