new paintings are based on specific texts from Moby D***, and currently showing at Packer Schopf Gallery
. Tim's figures, and his use of perspective that is just off enough to keep you just unsettled, is reminiscent of the early Northern Renaissance painters, think Hieronymus Bosch
, but very contemporary. There are lots of things about Tim's work that make each piece not only inviting but engaging, one is his understanding of color and how it effects mood, another is his odd sense of space, as each painting seems to open up to the room. The way he skewed the perspective in the piece made me feel as if I were being enveloped and the paintings became much bigger than their modest 13.5 X 17.5 size.
Each piece was part of the Moby D*** narrative but Tim would place himself in these paintings, participating and exploring as both an onlooker and a participant. His presance in the paintings allowed me to involve myself in the storytelling, reexamining my place in a world in flux. Tim's paintings are brave and confident and this show is not to be missed, unfortunately you only have until the 13th of February to see it.
There will be a special reception for the College Art Association Convention on Friday, February 12, from 5PM until 8PM
, which will also host A book release of Words for Paintings
by Jason Lahr, whose paintings are also currently on view at Packer Schopf. Don't forget to visit the downstairs gallery while you are there, ventriloquist dummy portraits by Gene Hamilton tie this three person show together quite gracefully, also downstairs get a glimpse of what's next at Packer Schopf.